April 15, 2004

Radical Chic Ain’t What It Used To Be


There is something rather embarrassing about seeing 'progressives" nostalgic for the past. While we've grown accustomed to finding social conservatives longing for a mythical Mayberry-era that never, in fact, actually existed, we expect liberals to be perpetually forward-looking. Which is why seeing them constantly pining for the Sixties is rather disconcerting.

In vain, the lefties attempt to recreate the past by rolling out the same tired tropes and imagery. Their wistfulness for cultural iconography has even begun to border on the absurd. ('Tell me I didn’t just see Bob Dylan in an ad for Victoria’s Secret…") But few conceits have suffered the ravages of time quite like the concept of 'radical chic."

There’s a natural incongruity between left wing political views and the privilege of the wealthy, cultural elite. The uneasiness produced by this tension makes the lure of 'elegant slumming" an obvious attraction for the Beautiful People. After all, there is no better purgative for assuaging White Liberal Guilt than a good old fashioned mau-mauing.

The standard was set by Leonard Bernstein who became the envy of New York society by inviting members of the Black Panther Party to a soiree at his Park Avenue duplex . The idea of serving brie and foie gras to black radicals no doubt still stirs the imagination of the Left. Actually doing so, though, would be a difficult undertaking since it would be…well, it would be so dangerous.

So it should comes as no surprise that modern mau-mauing duties fall to a self-proclaimed nerd and Jesuit school graduate from the Maryland suburbs whose greatest influence was Monty Python. Aaron McGruder, who pens the controversial cartoon 'Boondocks', may not be the archetypical Angry Black Man -- he is, after all, a cartoonist -- but he is black and, well, he’s definitely angry. Most of all, though, he is willing to play the role. As Larry Elder recently noted, '[McGruder] decided to be the black guy that makes money by saying the things that white people want black people to say." The young cartoonist even admits as much, 'This isn’t the days of the civil-rights era, where you can change the world with a picket sign. You gotta get your money up."

But being radically chic isn’t what it used to be as some old lefties recently found out. The New Yorker relates an amusingly revealing story about McGruder and his speech for the 138th birthday of the venerable, leftist weekly The Nation:

But what McGruder saw when he looked around at his approving audience was this: a lot of old, white faces. What followed was not quite a coronation. McGruder, who rarely prepares notes or speeches for events like this, began by thanking Thurman, 'the most ass-kicking woman in America." Then he lowered the boom. He was a twenty-nine-year-old black man, he said, who got invited to such functions all the time, so you could imagine how bored he was. He proceeded to ramble, at considerable length, and in a tone, as one listener put it, of 'militant cynicism," with a recurring theme: that the folks in the room ('courageous"? Please) were a sorry lot.

He told the guests that he’d called Condoleezza Rice, the national-security adviser, a mass murderer to her face; what had they ever done? (The Rice exchange occurred in 2002, at the N.A.A.C.P. Image Awards, where McGruder was given the Chairman’s Award; Rice requested that he write her into his strip.) He recounted a lunch meeting with Fidel Castro. (He had been invited to Cuba by the California congresswoman Barbara Lee, who is one of the few politicians McGruder has praised in 'The Boondocks.") He said that noble failure was not acceptable. But the last straw came when he 'dropped the N-word," as one amused observer recalled. He said—bragged, even—that he’d voted for Nader in 2000. At that point, according to Hamilton Fish, the host of the party, 'it got interactive."

Eric Alterman, a columnist for The Nation, was sitting in the back of the room, next to Joe Wilson, the Ambassador. He shouted out, 'Thanks for Bush!" Exactly what happened next is unclear. Alterman recalls that McGruder responded by grabbing his crotch and saying, 'Try these nuts." Jack Newfield, the longtime Village Voice writer, says that McGruder simply dared Alterman to remove him from the podium. When asked about this incident later, McGruder said, 'I ain’t no punk. I ain’t gonna let someone shout and not go back at him."

Alterman walked out. 'I turned to Joe and said, ‘I can’t listen to this crap anymore,’" he remembers. 'I went out into the Metropolitan Club lobby—it’s a nice lobby—and I worked on my manuscript."

Newfield joined in the heckling, as did Stephen Cohen, a historian and the husband of Katrina vanden Heuvel. 'It was like watching LeRoi Jones try to Mau-Mau a guilty white liberal in the sixties," Newfield says. 'It was out of a time warp. Who is he to insult people who have been putting their careers and lives on the line for equal rights since before he was born?"

By the time McGruder had finished, and a tipsy Joe Wilson took the microphone to deliver his New Year’s Resolutions, perhaps half the guests had excused themselves to join Alterman in the lobby. A Nation contributor estimated that McGruder had offended eighty per cent of the audience. 'Some people still haven’t recovered," he said, sounding thrilled.

Where is Tom Wolfe when we need him?


comments
Bob Zimmerman writes:

1

"In vain, the lefties attempt to recreate the past by rolling out the same tired tropes and imagery. Their wistfulness for cultural iconography has even begun to border on the absurd. (“Tell me I didn’t just see Bob Dylan in an ad for Victoria’s Secret…”)"

Wha ..? This is certainly the first I've heard that Victoria's Secret is owned by "lefties" and marketed for "lefties." Do "righties" prefer whitey tighties?

And Dylan hasn't been identified as an icon of "lefties" since, um, 1965 at Newport? Forty years?

Don't forget that the most conservative TV network politically is also the trashiest (and happily accepted money from VS in exchange for the privilege of broadcasting the advertisement).

"There’s a natural incongruity between left wing political views and the privilege of the wealthy, cultural elite."

You're correct about this and the incongruity is by no means ignored by "lefties". Of course, a very similar incongruity exists between the statements of actions of "righties."

But Jesus was a fiscal and social conservative and he said "Go forth and smear!" So, damn the truth, Joe, and continue smearing huge groups of people by pointing out the shortcomings of a few individuals who have no effect whatsoever on the lives of Americans.

The righties love to eat this stuff up.

P.S. Dylan put out a couple of great LPs in the 70s and 80s with Christian lyrics. Worth checking out (if you can possibly find a "rightie" store that carries his recordings).

posted on 04.15.2004 3:25 PM
Ben writes:

2

Priceless.

posted on 04.15.2004 6:48 PM
Pink Kitty writes:

3

On the same line, there was Madonna and her whole Che Guevarra phase last year. Beret, black shirt, and green khakis.

With Manolo Blahnik boots (which are over $500 a pair). Yeah. That look tanked just a smidge faster than her last CD.

Proof positive that even communist icons can be bought and sold for a profit.

posted on 04.16.2004 5:36 PM
deac writes:

4

As Larry Elder recently noted, “[McGruder] decided to be the black guy that makes money by saying the things that white people want black people to say.”

Hold up...McGruder said that about Elder. You have it backwards.

-deac

posted on 04.28.2004 12:35 PM